a5c7b9f00b The year is 1984, where a solider knownmany names but mostly knownSnake has awaken from a nine year coma. As he awakens he remembers the destruction of his mother base from a network knownCipher. Filled with nothing but vengeance Snake has formed a a new unit "Diamond Dogs" so he can lead a path of vengeance for the phantoms of MSF. What started Ground Zeroes will end V.
In the aftermath of the events of "Ground Zeroes" and the destruction of Militaires Sans Frontières, Big Boss falls into a coma. Nine years later, he awakes and forms a new mercenary group, the Diamond Dogs. Now under the guise of the codename "Venom Snake", he ventures into Afghanistan during the Soviet war to track down the men responsible for MSF's destruction. Along the way, he becomes reacquainted with his former rival Ocelot and encounters a unit of warriors robbed of their past, present and future. While he and Kazuhira "Kaz" Miller are initially driven to exact revenge, Snake soon unearths a plot by the Cipher organization to develop a weapon with the potential to surpass even the Metal Gear system, and his mission quickly switches focus to ending this new threat.
Metal Gear Solid: The Phantom Pain is the penultimate journey in Hideo Kojima's classic saga; even though it's a prequel there is a good deal of surprises to be found in the story. The gameplay is nothing short of phenomenal and there's so much attention to detail graphically and narratively speaking.<br/><br/>The Phantom Pain is a gaming experience to be remembered for generations to come. Its immersion for the players is unsurpassed, its atmosphere phenomenal, its story a bit sparse yet massive in scope and ambition. Hideo Kojima has made the 2001: A Space Odyssey of video games right here. There's endless subtexts throughout, visually and script-based, and that's excluding the ridiculously tense and terrifying start of the game, where you're at a hospital in Cyprus, trying to escape certain death.<br/><br/>If you haven't played the game yet, please do so, and play the 'Day One Edition' on the PS4: the definitive version of this modern masterpiece.
There are times in the history of video games where wegamers come to question which is the greater mission of video gamesa media, to simply be the fun electronic toys that many grew up with or to attempt to grow furtheran artistic medium. This isn't such an easy question to answer, no matter how much I would like it to be. <br/><br/>I want the medium to evolve and growlongI do myself, every day I get older and I want a little bit more to see something special in the medium and at this point I believe that saying that technology is holding back the artists from doing exactly what they want to do is a falsity. <br/><br/>But all at the same time video games, in the same vainfilm, started offshort and simple things that were simply made to be momentarily fun for their audiences. Mario 1-1 will always be held up higher compared to nearly every other game level ever because it is so good at being fun, there is no story to be found here and there shouldn't be but it is perfect. <br/><br/>Now this ramble isn't too removed from the game of The Phantom Pain because this game really pulls in both directions and in a large way these too things, being fun and being an artistic expression of the form are at war with each other in this game. <br/><br/>On the surface the two seem to work together because the gameplay is very well tuned and enjoyable to play around with and by using that gameplay to your advantage you can create or move yourself towards a plot related moment and move the plot along. But thats where the contradiction lies. The game makes you out to be this man (or woman if you switch up the character at the select) that is all there and competenta soldier under fire. In the narrative however you are meant to be feeling a disconnect, that the character of Big Boss is beginning to switch from the protagonist to the antagonist of the series and in cut scenes you see the moral and mental desegregation of the character in what he is willing to do. But after all of that he'll get back on the chopper and go out to complete another batch of missions without any hang ups in the gameplay. <br/><br/>Along with that there are these moments where something very not Metal Gear will happen or be introduced like the online functionality and the abrupt ending without wrapping up the plot lines properly. These are areas that Konomi's corporate fingerprints are all over, and I wouldn't be so harsh on it if it were not for the fact that the game was almost guaranteed a profit by name recognition alone and milking the fans for money and cutting content from this game before launch feels entirely disrespectful for a fanbase intent on finding connections and building theories for over two decades and ever more of a disrespect to the people making the games who have put years of their lives into creating them for that reason. <br/><br/>In the end though it is a Metal Gear game, the story is more grounded and less flamboyant and it works to make the less heavy narrative still feel important to the universe and the gameplay is superb and is a revolution to the stealth game genre. Its a great game, but what makes this game feel a little disappointing is that you can see a perfect game being cut down to greatness by an unfeeling company.

1. Metal Gear (1987; original version exclusive to Japan until 2006)<br/><br/>2. Metal Gear 2: Solid Snake (1990; original version exclusive to Japan until 2006)<br/><br/>3. Metal Gear Solid (1998)<br/><br/>4. Metal Gear Solid 2: Sons of Liberty (2001; PS2 exclusive)<br/><br/>5. Metal Gear Solid 2: Substance (2002; an extension of Metal Gear Solid 2: Sons of Liberty)<br/><br/>6. Metal Gear Solid: Twin Snakes (2004; remake of Metal Gear Solid. GameCube exclusive)<br/><br/>7. Metal Gear Solid 3: Snake Eater (2004; PS2 exclusive)<br/><br/>8. Metal Gear Solid 3: Subsistence (2006; an extension of Metal Gear Solid 3: Snake Eater. PS2 exclusive)<br/><br/>9.Metal Gear Solid: Portable Ops (2006; PSP exclusive)<br/><br/>10. Metal Gear Solid 4: Guns of the Patriots (2008; PS3 exclusive)<br/><br/>11. Metal Gear Solid: Peace Walker (2010)<br/><br/>12. Metal Gear Rising: Revengeance (2013)<br/><br/>13. Metal Gear Solid V: Ground Zeroes (2014)<br/><br/>14. Metal Gear Solid V: The Phantom Pain (2015)<br/><br/>These are the games listed chronologically:<br/><br/>1. Metal Gear Solid 3: Snake Eater: 1964<br/><br/>2. Metal Gear Solid: Portable Ops: 1970<br/><br/>3. Metal Gear Solid: Peace Walker: 1974<br/><br/>4. Metal Gear Solid V: Ground Zeroes: 1975 (Some side-ops occur in 1974)<br/><br/>5. Metal Gear Solid V: The Phantom Pain: 1984 (opening and closing scenes occur in 1995)<br/><br/>6. Metal Gear: 1995<br/><br/>7. Metal Gear 2: Solid Snake: 1999<br/><br/>8. Metal Gear Solid: 2005<br/><br/>9. Metal Gear Solid 2: Sons of Liberty: 2007-2009 (Game spans 2 years)<br/><br/>10. Metal Gear Solid 4: Guns of the Patriots: 2014<br/><br/>11. Metal Gear Rising: Revengeance: 2018 No. By the title, he is indeed "Big Boss". However, he is not "Jack" or "Naked Snake" from Metal Gear Solid 3, Portable Ops, Peace Walker, and Ground Zeroes. He is a former medic who was close to Naked Snake, and was deemed the "best man" in MSF. Ocelot and Zero opted to use the comatose Medic to be Big Boss' body double. In doing so, he assisted in creating the legend that is "Big Boss". He would be officially named Big Boss by his friend (and the man he covered for) at the end of the game. Yes, although the DNA tests prove negative that he is Venom Snake's son. This is because Venom Snake is a copy of the real "Big Boss", and he was proven not to be the father of Eli. However, Eli was completely unaware of this, and his anger towards his father still existed until his own death in 2005. Regardless, he still displayed a distrust of adults, and would likely have been the same way toward Venom Snake whether or not he knew about the ruse.
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